Goga Trascierra at her studio. A woman with brown hair tied back, wearing a black long-sleeve shirt, painting a wall with a brush.

Goga Trascierra (Mexico City, 1960) is a visual artist of recognized trajectory whose practice unfolds at the intersection of sculpture, painting, lighting design, and construction materials. Her work explores the boundary between function and aesthetics, transforming cement, brick, and dust into pieces of strong poetic and formal resonance.

Throughout her career, she has been selected for prestigious platforms such as Patio by ZⓈONA MACO (2025) and the ABC Art Baja California Festival (2024), as well as the Biennale Internazionale dell’Arte Contemporanea in Florence (2003), the International Biennial of Postmodern Art of Córdoba (2006), and the DayOne International Light Installation Competition (2015).

She has held solo exhibitions in galleries and cultural spaces across Italy, Spain, and Mexico, and participated in group shows in France, Germany, the United States, Spain, Mexico, and Italy, building a sustained international presence.

Her artistic education includes specialized studies in Barcelona, Berlin, and Mexico City, including the Postgraduate Program in Lighting at the Polytechnic University of Catalonia, the professionalization program at Node Center, and the Contemporary Art Seminar at La Consultoría.

Her work is part of private collections in Mexico, the United States, France, Italy, and Spain.

She currently lives and works in Mexico City.

Forgotten Beauty Found - The Philosophy Behind Her Works

Goga Trascierra blurs the boundaries between art and function by transforming construction materials—cement, brick, dust, steel—into works of aesthetic contemplation. Her practice challenges the hierarchies between manual labor and artistic production, while reclaiming the beauty of rawness, irregularity, and materials rarely associated with fine art, activating a poetics of matter that speaks to both the space and the viewer.

Rather than simply appropriating industrial elements, Trascierra re-signifies them, turning utilitarian objects into sensitive forms that question the very idea of what deserves to be called art. She turns raw into refined, everyday stuff into symbolic.

Goga Trascierra at her studio. A woman working on a painting project inside a bright, spacious home studio, with large windows and outdoor greenery visible in the background.

Her work is a constant search for meaning, where each piece suggests a question rather than a conclusion, and where value lies not in flawlessness, but in the mark of transformation—in the expressive power of imperfection.

Each work embodies a rigorous process of material investigation and conceptual introspection, offering not only a visual experience, but also an invitation to reflect.

Far from following trends, Trascierra offers a body of work that is coherent, bold, and deeply honest—ideal for collectors who value authenticity, material expressiveness, and art that transcends form to pose essential questions.

Goga Trascierra at her studio. Sitting in a well-lit room, with art supplies on a shelf and a staircase in the background.
Goga Trascierra next to her work. A woman standing near an artistic lamp with a twisted metal stand, touching or adjusting it. The lamp has a basket-like shade and is turned on, casting light in the room.

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